Arcade Berg Game Designer

4May/103

Are we allowed to skew the trailers?

Posted by Arcade

I've waited long enough now. I went to see the movie Kick-Ass on the day of its premiere but was too afraid to bring spoilers that I've been waiting with this post.

So basically, if you haven't seen Kick-Ass yet:

  1. You should.
  2. You might not want to read this post if you don't like spoilers.

Something that seems to be more and more common nowadays is to have the traileres for movies to be different from the actual movie in one way or another.

For example; some movie trailers for Inglourious Basters (best movie of 2009 IMHO FYI) had scenes in them that weren't in the movie. But the real kicker is Kick-Ass.

SPOILER ALERT

The trailers keeps presenting the character "Red Mist" as one of the many heroes in the movie while in the actual movie, he's a villain.

This was brilliant!

The trailers were still good enough for making me want to see the movie and once in the theatre I had no idea what was gonna happen because of the skewed perspective I'd previously been fed with.

There were also some other scenes that they'd changed the order of making it seem like other scenarios than they actually were, like when "the girl" said that she would definately sleep with Kick-Ass. The trailer makes it look like she doesn't know who he really is, while in the movie she does and it's a flirt with him. (That scene is not included in the embedded trailer.)

SPOILER END

So here's my question:

Can we do this with video game trailers as well? If so, would it be "okay" or would the consumers get angry? And can we only do it with the story and presentation, or can we skew the gameplay a bit as well, making it look more like an adventure game when it's really all about tearing limbs from enemies while bathing in blood?

http://www.imdb.com/title/tt1250777/

9Mar/100

Merging Story (Context) with optimal Gameplay?

Posted by Arcade

At the moment, I'm working on some design for my spare time project I've been talking about earlier; Iskall.

The challenge I'm currently working on is to have the story, its events and the introduction of new gameplay elements to work together.

The game's overall story is set. There are a few scenarios in it, not dependent on being in a particular order to work. And all the themes for the levels are set. Right now, they're all listed in the order that makes most sense and creates the best narrative, experience and allows for some nice transitions between the levels. That is, if you only look at the story.

But here's the catch. Many of the events are directly intertwined with the introduction of new gameplay mechanics. For me, gameplay always comes first, but sometimes you have to compromise since a game is not only mechanics, it's an experience to be had by the player.

Let's draw a parallel to Super Mario Bros.. Nintendo could have introduced the Mushroom that turns Mario into Super Mario during the last levels, but it was better for the game to introduce it in the very first level. I can introduce some of Iskall's stuff very late, but it'll be better if it's early and vice versa.

True Story

And also, some events are directly tied to a specific level. Some events I can move freely between the levels, while some must be at specific theme.

Meaning, different story sections have different dependencies like theme, level and gameplay mechanic.

I have a chart showing in what order and when I want each new gameplay element to be introduced. Stuff like new enemies, new abilities, etc. But just cutting and pasting in the story to accomodate that chart doesn't result in a tight presentation context-wise. So what I'm doing right now is to find that balance.

I don't have a sure solution for this, and I don't know how it'll end since I'm not done yet. But the way I'm approaching it is to try and constantly look at the big picture and I'm trying to spread it out, so all the good stuff isn't too close together.

There will have to be some editing from both ends to make it feel just right.